The British Nigerian designer on thinking big, bright and positive
Walking into Yinka Ilori’s west London studio from the drab suburban business park outside is to enter an oasis. Floor-to-ceiling shelving is lined with the brightly coloured, upcycled chairs, painted or upholstered in West African fabrics, that made Ilori’s name when he first left college. Lush houseplants are dotted around and a portrait of his smiling grandmother sits behind his desk, resplendent in a gele, a traditional head tie. He refers to the picture as we talk about his family’s influence on his work.
“My work is very much about inclusivity and how people enjoy design,” says the 33-year-old. There is also a sense of story, of people communicating, something that started at London Metropolitan University when he was in his second year studying product and furniture design. He was set a project called Our Chair, which referenced Italian designer Martino Gamper’s 100 Chairs in 100 Days (Gamper transformed 100 discarded chairs into entirely new, brilliantly sculptural pieces).
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