After decades of bland minimalism, people are decorating their homes to the max. Is it a response to our troubled times – or individual expressionism?
Outside, Tania James’s home looks fairly average, a flat in a Victorian conversion on a north London street lined with trees and speed bumps. Inside, it’s a riot of colour.
Neon pink, yellow and orange zap across the walls, while dozens of 60s and 70s tea trays line the stairs, each a different pattern. In the living room are green and pink sofas with leopard-print cushions. A pink plastic light-up pigeon and a toy plastic horse sit on a shelf alongside a big yellow plastic bird she found in a charity shop. “I was like, oh my God, £4 – that’ll go with the pigeon!” she says. On another shelf sits her brightly coloured glass-bottle collection, which she has been adding to for the past 20 years – “it’s a one-in, one–out policy now”. There is a fireplace painted highlighter yellow, pink and purple, with a baby-sized blue plastic bear standing to attention in the grate. In the bay window, a jungle of house plants spreads its fronds. “I don’t want to say I’m attached to stuff,” says James. “I’m not materialistic – but it’s important to me to have how I feel inside, out.”
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