Buying or selling a property affected by Japanese knotweed? Nottingham Estate Agents

We asked Nic Seal, Environmental Scientist and Managing Director of Environet UK Ltd to provide advice to buyers and sellers alike Whereas rabbits are pre-programmed to eat grass and to go forth and multiply, Japanese knotweed DNA is hell bent on: Destruction – it loves to damage human property, growing through asphalt, destroying walls and […]

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Let’s move to Sedbergh, Cumbria: lovely in its isolation

A convivial and unpretentious ‘book town’, though it may be too lonely for some

What’s going for it? Being an introvert, it’s the lonely spots that attract me most. Sedbergh is only 15 twisty-turny minutes up the steep western escarpment of the Yorkshire Dales from the M6, a little longer from Kendal, but high up, all alone in the fells, it might be halfway to the moon. Bald moors, big skies and Alfred Wainwright’s beloved Howgill Fells loom all about, and there’s not much bar sheep, the Wensleydale Creamery and the odd village or teeny town between you and the other side of the UK. Bliss. I don’t think I’ve ever been lonelier, in a good way, than waiting on the platform at Garsdale station with only crows for company. Still, Sedbergh itself is a convivial spot, despite its isolation, and utterly unpretentious in the way only this part of the world can be – home to doughty shops, hardy people and excellent pubs where hikers battle farmers for space at the bar. And, as one of three of Britain’s “book towns” (with Wigtown and Hay-on-Wye), filled with bookshops, writing retreats and poetry festivals, even the most taciturn hermit is never short of a conversation opener, even if it’s just your take on the latest Jack Reacher plot twist.

The case against… When the wind blows, Sedbergh gets blown away. The lonely spots aren’t for everyone.

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Let’s move to Sedbergh, Cumbria: lovely in its isolation

A convivial and unpretentious ‘book town’, though it may be too lonely for some

What’s going for it? Being an introvert, it’s the lonely spots that attract me most. Sedbergh is only 15 twisty-turny minutes up the steep western escarpment of the Yorkshire Dales from the M6, a little longer from Kendal, but high up, all alone in the fells, it might be halfway to the moon. Bald moors, big skies and Alfred Wainwright’s beloved Howgill Fells loom all about, and there’s not much bar sheep, the Wensleydale Creamery and the odd village or teeny town between you and the other side of the UK. Bliss. I don’t think I’ve ever been lonelier, in a good way, than waiting on the platform at Garsdale station with only crows for company. Still, Sedbergh itself is a convivial spot, despite its isolation, and utterly unpretentious in the way only this part of the world can be – home to doughty shops, hardy people and excellent pubs where hikers battle farmers for space at the bar. And, as one of three of Britain’s “book towns” (with Wigtown and Hay-on-Wye), filled with bookshops, writing retreats and poetry festivals, even the most taciturn hermit is never short of a conversation opener, even if it’s just your take on the latest Jack Reacher plot twist.

The case against… When the wind blows, Sedbergh gets blown away. The lonely spots aren’t for everyone.

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Prisoner of war camp tower has been totally transformed

It's a remarkable renovation.

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The 10 best new-season cushions

Go big and bold with strong designs and rich textures

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The 10 best new-season cushions

Go big and bold with strong designs and rich textures

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The healing power of Bauhaus at London's St Mary's hospital

The work of Josef and Anni Albers has given a bright, bold new look to a children’s intensive care unit

The role of art in hospitals rarely extends beyond hanging pictures on the wall. But for Josef and Anni Albers, art was always much more than that. Both pioneers of modernism, the couple met in 1922 at the Bauhaus school, an establishment with a revolutionary approach to art. Bauhaus blurred the boundaries between craft, design and fine art and championed the concept of gesamtkunstwerk: the complete work of art, typically in the form of a house.

But why not a hospital department? That was the thinking of the Albers Foundation which, since the couple’s deaths late last century, has worked to continue their legacy. “Josef and Anni both believed that what we experience through our eyes can divert and elate us in unparalleled ways,” explains Nicholas Fox Weber, the foundation’s director. Taking inspiration from the Albers’ geometric patterns and confident use of colour, the foundation has created a bold new look for the children’s intensive care unit at St Mary’s hospital, London.

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