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Saturday, September 28, 2019

An eye for detail: a London flat where style meets sentiment

A designer’s restoration leaves nothing to chance and creates a home that shows his love of mementos

Behind the decorative window mouldings of Robert Storey’s three-bedroom, top-floor Victorian terrace flat in Dalston, east London, is an unequivocally stylish yet unpretentious home, one that showcases his signature modernist tastes. This is no surprise, since Storey – a sought-after spatial designer who works with leading fashion brands – lives and breathes design.

Storey was instantly enamoured of the property, despite its neglected interior. He bought it in April 2018, following his father’s death. For him, it was a blank canvas in need of character and a stamp of individuality. “I loved the place immediately,” he says, “and I knew I wanted to renovate it, but not so it felt too design-heavy,” he explains. “My father always wanted me to buy a place and do it up in my own way, and I feel really fortunate that my inheritance allowed me to do that. I see it as his legacy. My home is a lovely memory of him.”

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An eye for detail: a London flat where style meets sentiment

A designer’s restoration leaves nothing to chance and creates a home that shows his love of mementos

Behind the decorative window mouldings of Robert Storey’s three-bedroom, top-floor Victorian terrace flat in Dalston, east London, is an unequivocally stylish yet unpretentious home, one that showcases his signature modernist tastes. This is no surprise, since Storey – a sought-after spatial designer who works with leading fashion brands – lives and breathes design.

Storey was instantly enamoured of the property, despite its neglected interior. He bought it in April 2018, following his father’s death. For him, it was a blank canvas in need of character and a stamp of individuality. “I loved the place immediately,” he says, “and I knew I wanted to renovate it, but not so it felt too design-heavy,” he explains. “My father always wanted me to buy a place and do it up in my own way, and I feel really fortunate that my inheritance allowed me to do that. I see it as his legacy. My home is a lovely memory of him.”

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Continental blooms: how to bring Europe's wildflowers into your garden

A summer drive through Europe gave one gardener inspiration for his own garden in Britain – and made him realise how much we have in common

This spring, I visited northern Spain, following rural roads along arable fields, rushing streams and through the Pyrenees. I was amazed at the variety of plant life contained within such a comparatively small area. While I was unacquainted with some species, many were familiar, either as wildflowers found also in Britain or as the forebears of popular garden cultivars. Violet spires of tufted vetch sprung underfoot down riverbanks, and the bright petals of sweet rocket (Hesperis matronalis), a southern European biennial I have often sown for cut flowers, appeared beneath thickets of beech, glowing at dusk.

The trip left a strong impression. It highlighted for me one of western Europe’s greatest assets: an easily navigable terrain abounding in attractive and diverse flora. We British islanders have an intrinsic affiliation with these plants: our flora is cut from a similar cloth – only the patterns of the cloth become more varied and splendid across the Channel.

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from Home And Garden | The Guardian https://ift.tt/2mBh3h4
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Continental blooms: how to bring Europe's wildflowers into your garden

A summer drive through Europe gave one gardener inspiration for his own garden in Britain – and made him realise how much we have in common

This spring, I visited northern Spain, following rural roads along arable fields, rushing streams and through the Pyrenees. I was amazed at the variety of plant life contained within such a comparatively small area. While I was unacquainted with some species, many were familiar, either as wildflowers found also in Britain or as the forebears of popular garden cultivars. Violet spires of tufted vetch sprung underfoot down riverbanks, and the bright petals of sweet rocket (Hesperis matronalis), a southern European biennial I have often sown for cut flowers, appeared beneath thickets of beech, glowing at dusk.

The trip left a strong impression. It highlighted for me one of western Europe’s greatest assets: an easily navigable terrain abounding in attractive and diverse flora. We British islanders have an intrinsic affiliation with these plants: our flora is cut from a similar cloth – only the patterns of the cloth become more varied and splendid across the Channel.

Continue reading...

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Gardening tips: plant hardy but exotic prairie gayfeather

Then treat yourself to actor David Oakes’s nature podcast and get some air into the compost heap

Plant this Liatris spicata or prairie gayfeather is a grand addition to a late summer border or container scheme, with flower spikes of purple or white that look exotic but are tough and hardy. Sun and moist soil are best. Height and spread depends on your choice of cultivar (I love ‘Kobold’), but around 75cm x 50cm.

Visit this If your garden grows indoors, head to the Garden Museum in London tomorrow for the Houseplant Festival. There’s a plant swap, stalls and talks, plus a clinic to sort out your crispy calatheas and spindly succulents (disclosure: I’ll be answering questions). 11am-5pm, tickets £5 (gardenmuseum.org.uk).

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Gardening tips: plant hardy but exotic prairie gayfeather

Then treat yourself to actor David Oakes’s nature podcast and get some air into the compost heap

Plant this Liatris spicata or prairie gayfeather is a grand addition to a late summer border or container scheme, with flower spikes of purple or white that look exotic but are tough and hardy. Sun and moist soil are best. Height and spread depends on your choice of cultivar (I love ‘Kobold’), but around 75cm x 50cm.

Visit this If your garden grows indoors, head to the Garden Museum in London tomorrow for the Houseplant Festival. There’s a plant swap, stalls and talks, plus a clinic to sort out your crispy calatheas and spindly succulents (disclosure: I’ll be answering questions). 11am-5pm, tickets £5 (gardenmuseum.org.uk).

Continue reading...

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Reclaiming chinoiserie: from the East to the East End

Z He and Alex Peffly’s townhouse is filled with secondhand Victorian chinoiserie. The look may be retro, but this London home teems with modern ideas about culture and work

In Z He and Alex Peffly’s living room there are soft-toned pagodas, parasols and misty mountaintops above a drinks cabinet worthy of an imperial outpost. “It hints at old Shanghai,” says Z. Throughout this east London home there are embroidered silk cushions scattered over daybeds, fringed lampshades and potted palms set on fussily carved side tables. The house is full of chinoiserie – the style that the Victorians and Edwardians brought back from colonial postings, grand tours and day trips to Liberty’s – which Z wants to reclaim. “In drawing rooms from Hong Kong to Hampstead, they created a very European version of the East,” says Z. “It bore some relation to reality, but it was very romanticised. It reflected the China they wanted to discover.”

Z is an architect who grew up in Guangzhou, north west of Hong Kong, and Alex is a chef from Ohio. They met as students in Chicago. They now live on Princelet Street, a Spitalfields address with plenty of its own history. The short rows of 18th-century townhouses were originally built by landlords who made a profit from the Huguenot merchants fleeing France. Smaller flats and attics were rented to less well-off silk weaving families as working and living spaces.

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