Sunday, September 16, 2018
Flower power: how to make the summer last forever https://t.co/57VDJygd9P Solicitors & Estate Agents In One Just £899 + vat .. https://t.co/GmjoJxU3bM
Flower power: how to make the summer last forever
When the frost sets in, put bedding plants in a pot and rehouse them indoors
I know as a garden writer I am supposed to wax lyrical about the change of seasons, finding joy in the crisp air and falling leaves. But I have to confess, as someone who loves growing things, that to me the start of autumn only means one thing – the end of summer. The impending threat of frost does, however, have an upside – the chance of free houseplants. It’s a way to make summer flowers last forever indoors, and here’s how to do it.
Many of the most popular bedding plants, whose subtropical origins mean they have little to no defence against frost, also happen to make excellent houseplants. In a season when they are normally ripped out and binned to make way for the new, rehoming them indoors not only gives you houseplants for free but helps lessen the impact of what can be an extremely wasteful gardening practice. Also, as varieties of bedding plants can come and go in a surprisingly short space of time, sometimes disappearing from catalogues with no notice from one year to the next, if you are particularly in love with a variety, this can be a sure-fire way of keeping it in your collection.
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Saturday, September 15, 2018
Inside a designer’s Waterloo home – a minimalist’s dream
The home of the designer Michael Anastassiades is a place for reflection
The place was a dump,” says Michael Anastassiades of his now pristine five-storey home on Lower Marsh in Waterloo. “There wasn’t even a bathroom.” Built in the 1800s as a merchant’s house, it most recently accommodated a fashion store and had been uninhabited for decades when he moved in. Now, 20 years on, the property has slowly evolved into an elegant, airy home that serves as canvas for the Cyprus-born lighting and furniture designer’s unequivocally modernist tastes.
“Right from the beginning there was no finished plan for anything in the house,” he says of the space, which takes inspiration from the open-plan lower layout at the Sir John Soane’s Museum. “It was a very organic process.” Working with his architect friend Wim de Mul, after demolishing the interior, knocking out ceilings and shifting stairwells, they began the gradual process of rebuilding. Much of the muted look of the place was dictated by the parquet mahogany floor, which neatly demarcates each area. Reclaimed from a local builder, it once decked the nearby County Hall, and had to be cleaned and spliced after arriving in 200 bin bags covered in staples and tar. “There’s nothing straight about it,” he says. “But it gives the place character.”
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Dahlias, class wars and early autumn colour | Allan Jenkins
Growing pots of dahlias on the roof terrace provides a late summer burst of brightness but also reminds Allan Jenkins of his dad
Dad hated dahlias. They were ‘common’. And as for chrysanthemums... Dad was from Derbyshire. We were in Devon. He thought of them as a northern flower, mostly grown by men on allotments, for show, with competitive shades and shapes.
I was always more comfortable with the thought of being common than Dad, who was proudly, profoundly middle class. We had a huge garden, there was an orchard, long lawns, there were red hot pokers, even pampas grass, but he drew the line at dahlias.
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Dahlias, class wars and early autumn colour | Allan Jenkins
Growing pots of dahlias on the roof terrace provides a late summer burst of brightness but also reminds Allan Jenkins of his dad
Dad hated dahlias. They were ‘common’. And as for chrysanthemums... Dad was from Derbyshire. We were in Devon. He thought of them as a northern flower, mostly grown by men on allotments, for show, with competitive shades and shapes.
I was always more comfortable with the thought of being common than Dad, who was proudly, profoundly middle class. We had a huge garden, there was an orchard, long lawns, there were red hot pokers, even pampas grass, but he drew the line at dahlias.
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Inside a designer’s Waterloo home – a minimalist’s dream
The home of the designer Michael Anastassiades is a place for reflection
The place was a dump,” says Michael Anastassiades of his now pristine five-storey home on Lower Marsh in Waterloo. “There wasn’t even a bathroom.” Built in the 1800s as a merchant’s house, it most recently accommodated a fashion store and had been uninhabited for decades when he moved in. Now, 20 years on, the property has slowly evolved into an elegant, airy home that serves as canvas for the Cyprus-born lighting and furniture designer’s unequivocally modernist tastes.
“Right from the beginning there was no finished plan for anything in the house,” he says of the space, which takes inspiration from the open-plan lower layout at the Sir John Soane’s Museum. “It was a very organic process.” Working with his architect friend Wim de Mul, after demolishing the interior, knocking out ceilings and shifting stairwells, they began the gradual process of rebuilding. Much of the muted look of the place was dictated by the parquet mahogany floor, which neatly demarcates each area. Reclaimed from a local builder, it once decked the nearby County Hall, and had to be cleaned and spliced after arriving in 200 bin bags covered in staples and tar. “There’s nothing straight about it,” he says. “But it gives the place character.”
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A guide to selling your home at the right time Nottingham Estate Agents
OnTheMarket.com looks at why autumn is the perfect time to sell your property and highlights what potential buyers and sellers should consider. Generally the market tends to be stronger in the spring and then picks up again in the late summer and early autumn. The UK’s largest independent estate agent, haart, explains that your property […]
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